Even William Strunk, that Mussolini of rhetoric, recognized the delicious pliability of language.
Even William Strunk, that Mussolini of rhetoric, recognized the delicious pliability of language.Tags: Beowulf Hero EssayPersuasive Essay Social IssuesExamples Of Term Paper FormatSteps In Making A Business PlanEssay Pro Drug LegalizationTransition Words For An EssayEssay Questions ForMuet Essay Materialistic
I replaced the nail with a spike and went on writing.” In his own words, here is Stephen King's greatest writing advice: On Getting Started 1. Check out our list of our favorite literary devices, and learn how you can use them to take your writing to the next level.
This isn't the Ouija board or the spirit-world we're talking about here, but just another job like laying pipe or driving long-haul trucks.
Maybe it paid off the mortgage on the house and got the kids through college, but those things were on the side – I did it for the buzz...
And if you can do it for joy, you can do it forever." "I’ve written because it fulfilled me.
But there’s always a new way to fix eggs and, you know, I look at it that way. I think there are as many ideas as there are probing talented minds to explore those ideas." "I did it for the pure joy of the thing.
And it’s really – okay, I mean like, how many times in your life have you eaten eggs?
You can learn only by doing." "I’m not particularly keen on writing which exhaustively describes the physical characteristics of the people in the story and what they’re wearing... There's no way around these two things that I'm aware of, no shortcut." "You cannot hope to sweep someone else away by the force of your writing until it has been done to you." "As far as I’m concerned, genre was created by bookstores so that people who were casual readers could say, 'Well, I want to read romances.' 'Well, right over there, that’s where romances are.' The thing about genre is, so many people are like little kids who say, 'I can’t eat this food because it’s touching this other thing.'" "The book is not the important part. The important part is the story and the talent." "Reading is more than a door opener to a better job. When I go into someone’s house and ask to use the bathroom and see a bunch of books beside the commode.
Reading will help you answer how much, and only reams of writing will help you with the how. so spare me, if you please, the hero’s 'sharply intelligent blue eyes' and 'outthrust, determined chin.'" "If you want to be a writer, you must do two things above all others: read a lot and write a lot. Sometimes when the right book falls into the right pair of hands, it lights a fire that leads to others." "You know what I like?
I find myself sitting hypnotized and looking at videos of funny dogs, that kind of thing." "I wake up. There’s a guy over there looking at all the books on my shelf and to me those are like dead skin. And James Dickey's poetry, Émile Zola, Steinbeck... It’s weak, it’s circuitous, and it’s frequently tortuous, as well.
There's a time for that – for me, it's usually before I go to bed. I come back, I go out to my little office, where I've got a manuscript, and the last page that I was happy with is on top. I'm able to go through and revise it and put myself – – back into that world, whatever it is. I'll maybe write fresh copy for two hours, and then I'll go back and revise some of it and print what I like and then turn it off." "For me the fun of writing novels isn’t in the finished product, which I don’t care about. This makes matter easier for the reader, and the reader must always be your main concern; without Constant Reader, you are just a voice quacking in the void." "Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings." "The most important things to remember about backstory are that (a) everyone has a history and (b) most of it isn’t very interesting." "Symbolism exists to adorn and enrich, not to create an artificial sense of profundity." "The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story." "Two pages of the passive voice—just about any business document ever written, in other words, not to mention reams of bad fiction—make me want to scream.