Decreation Poetry Essays Opera Anne Carson

Decreation Poetry Essays Opera Anne Carson-73
Anne Carson and I first met in 1988 at a writers’ workshop in Canada, and have been reading each other’s work ever since.The interview that follows is a mix of our usual conversation and discussion about topics that preoccupy Carson’s work—mysticism, antiquity, obsession, desire.CARSON Well, I think there are different gradations of personhood in different poems.

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Carson was born on June 21, 1950, in Toronto, the second and final child of Margaret and Robert Carson.

Her mother was a housewife; her father worked for the Toronto Dominion Bank.

We started the following interview just after Christmas in 2002.

Exhausted by the joyous demands of the season, Carson stretched out on an orange velveteen sofa and we talked—fortified by cups of oolong tea—for several hours.

Today, Carson lives in Ann Arbor, where she teaches classics and comparative literature at the University of Michigan.

Although she has always been reluctant to call herself a poet, Carson has been writing some heretic form of poetry almost all her life.

Eliot Prize for Poetrythe first woman to do so; the Griffin Poetry Prize; and the Los Angeles Times Book Prize.

In her first collection in five years, Anne Carson contemplates “decreation”–an activity described by Simone Weil as “undoing the creature in us”–an undoing of self.

But how can we undo self without moving through self, to the very inside of its definition? Anne Carson's Decreation starts with form–the undoing of form.

Form is various here: opera libretto, screenplay, poem, oratorio, essay, shot list, rapture.

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