Eliot The Metaphysical Poets Essay

Eliot The Metaphysical Poets Essay-64
He appeals to her using conceit implying that they should consecrate their relationship as if they were married.

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Eliot points out the difference by dividing the poets into two kinds: intellectual poets and reflective poets.

Tennyson and Browning are poets, and they think; but they do not feel their though as immediately as the odour of a rose.

At first one would not realize that this is his intention because he uses a flea to describe sex which is a very far-fetched description of the act hence this poem being metaphysical.‘Yet this enjoys before it woo, And pamper’d swells with one blood made of two; And this, alas!

Is more than we would do.’ (Lines 7 – 9) Donne is very convincing in the second stanza where he speaks of the duration of their relationship being long enough to consider being married to each other.

The importance of the act of her giving in to his wishes is once again being reiterated.

‘Though use make you apt to kill me, Let not to that self-murder added be, And sacrilege, three sins in killing three.’ (Lines 16 – 18) Donne using wit to convey his honest expectations aids him in seducing his lover.Eliot praises the metaphysical poets for their successful attempt to unite what resists unification.To unite thought and feeling, the poetic and unpoetic, form and content, was the main quality of the metaphysical poets.This essay was originally a review in the London Times Literary Supplement (October 20, 1921) of the book Metaphysical Lyrics and Poems of the Seventeenth Century.In this essay, Eliot discusses three questions: To what extent did the so-called metaphysical form a school or a movement?Metaphysical wit and conceit are two of the most famous literary devices used in the seventeenth century by poets such as John Donne.Emerging out of the Petrarchan era, metaphysical poetry brought a whole new way of expression and imagery dealing with emotional, physical and spiritual issues of that time.Without prejudicing their case by the adjective metaphysical, we may consider whether their virtue was not something permanently valuable.Eliot lays emphasis on the synthetic quality in these poets.Johnson, shrewd and sensitive critic, Eliot concludes, failed to define metaphysical poetry by its faults.Eliot adopts the opposite method to define metaphysical poetry.


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