Marlow is dispatched to steam up the Congo in order to find Mr.Kurtz, an ivory trader who disappeared into the interior and never returned.For one, a film, as a product of the commercial cinema, must appeal to a mass audience, whereas a novel appeals only to a segment of the population.
Marlow is dispatched to steam up the Congo in order to find Mr.Kurtz, an ivory trader who disappeared into the interior and never returned.For one, a film, as a product of the commercial cinema, must appeal to a mass audience, whereas a novel appeals only to a segment of the population.Tags: Sports Store Business PlanWhat Is Family EssayCommon Application Essay PromptGood Articles Research PaperUniversity Admissions Essay PromptGood Internet Sources Research Papers
As Coppola describes this ending, Kurtz, a battlemad commander, wearing two bands of machine gun bullets across his chest, takes Willard by the hand and leads him into battle against the North Vietnamese.
Yet although the settings and backgrounds of novella and film are quite different, the manner in which the story is narrated in each instance is very well similar.
The screenplay may try to retain the subjective dimension of these memories by having the voice of the character who is recalling the event in question surface on the sound track occasionally to give his subjective reflections on the flashback as it unfolds on the screen, as is the case in the present film.
But the viewer still does not have the sense that Willard is seeing the flashback from the point of view of the character who is retelling the event.
Nonetheless, in emphasizing the close relationship between film and fiction, one must acknowledge that they still remain two different media of expression.
Comparing and Contrasting Heart of Darkness and Apocalypse Now We have so large base of authors that we can prepare a unique summary of any book. We'll occasionally send you account related and promo emails.Moreover, while Marlow and Willard each travel up a primeval river to fulfill their respective assignments, each speculates about the character of the man he is seeking, with the help of the information each has pieced together about him.In addition, the last stop for both Marlow and Willard is their soul-altering confrontation with Kurtz.In the spring of 1975 Coppola told comparing and contrasting apocalypse now and heart of darkness interviewer that his next film would deal with the Vietnam War.The script had updated the story to the Vietnam War and turned Kurtz from an ivory trader into a Green Beret officer who defects from the American army and sets up his own army across the Cambodian border where he proceeds to conduct his own private war against the Vietcong.In Apocalypse Now, just as in Heart of Darkness, the central journey is both a literal and a metaphoric one.It is basically a voyage of discovery into the dark heart of man, and an encounter with his capacity for evil.While it is true that the central character remains on the screen more than anyone else in the movie, and his comments are often there on the sound track, the viewer still does not see others completely from his point of view, as the reader does in the novel.Hence, Apocalypse Now is robbed of some of the emotional intensity that one feels when one reads Heart of Darkness.In comparing and contrasting a novel and its film version, one must take into account the issue of compression, which becomes an important factor in making a motion picture based on a novel, since the novelist can take comparing and contrasting apocalypse now and heart of darkness many pages as he or she likes to develop plot and characters, whereas the scriptwriter has only a couple of hours of screen time at most.Often, the screenwriter handles this problem by selecting what he or she considers to be the key sections of the novel and to develop them in his or her script to their full dramatic potential, rather than to try to present, survey-fashion, all of the events of the novel.