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And if you’ve got it on repeat like we do, the 10-minute track seems to carry on indefinitely without ever wearing its welcome thin."The Cut" is the latest film by German director Fatih Akin, based on the Armenian Genocide (release date Oct 16, 2014).It was two old guys making music for fun, but then a label heard it and other people liked it very much.
He was so great that he even turned down David Bowie and U2.
He was very honest, he didn’t want to work with them.
they had so much power, I had never heard this before. I’m a more experimental musician using wired sounds and he didn’t like it! So when I telephoned him to suggest working together, he did not want to…
but 4 weeks later, he said He came into my studio, but I did not tell him before that I’d prepared it to record our whole session professionally. We had never played together before but this 40 minutes was so great, it was wonderful music.
Well, this is wonderfully massive—in more ways than one.
As we previously reported, the Brooklyn-based RVNG label nabbed that guy who, you know, made up that whole techno thing (a.k.a.But I don’t do it as much as he does, because I’m more of a traditional musician.When we play live, I play cello, Hawaiian guitar and sing.He is a real musician and he wanted to make music, he doesn’t want to stand on a stage with the sounds coming from the computer So how do you make technology work for you in KRAUTWERK?There is a difference between Harald and me; Harald works very much with technology and computers.In a merger of the Schools of Düsseldorf and Berlin, Kranemann and Grosskopf transmit their cosmic sonic visions of today, tomorrow and beyond in an updated take on art school kosmische with a lively and rhythmic self-titled debut album.Following an enthusiastic talk at the 2017 ELECTRI_CITY_CONFERENCE in Düsseldorf, Eberhard Kranemann kindly chatted to The Electricity Club about the genesis of KRAUTWERK and his observations on the vibrant post-war German music scene that ultimately impacted the world’s musical landscape. There is no concept, we are just two guys who are making music for fun. I heard Harald for the first time at a festival in Sulingen where he was doing a solo performance and I had a performance in another room.Juan Atkins) to do a remix of a song by NY noise makers Psychic Ills (pictured above) for its fourth installment of the series.That’s a pretty big deal, sure, but what’s really huge is the track Atkins produced for his contribution.I liked his kind of drumming, he doesn’t play natural drums and doesn’t use those crazy boom-boom-boom drums from a computer, he plays a special electronic kit with sticks on plates.He doesn’t use the pure electronic sounds, he changes them via Ableton with his special effects…