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His concern at the end is for his public image and, as he has done from the start, he uses language to construct an artifice of his own identity.He speaks of himself as if he were legendary or part of a defined myth.
When Brabantio comes with bad intent, accusing Othello of theft and witchcraft, Othello is unperturbed; he tells his pursuers and accusers to put up their swords for the dew will rust them; they shall command more with their years than their weapons.
In Act 1, in Venice, when the Duke is called upon to exercise judgement, he listens to both the accounts of Brabantio and Othello.
Here in Cyprus at the outpost of civilization, Othello listens only to the lies of Iago.
Having swallowed Iago's poison, Othello damns Desdemona, threatening to 'tear her all to pieces'.
It is interesting here to note the dramatic contrast Shakespeare sets up between Othello and the Duke.