Both experiences in church talk about how the idea of God/ faith is imposed upon young Hughes and Wright by loved ones as well as society.
However, each character undergoes the internal conflict of whether or not to conform.
Best brings to life the religious orientation of Hughes work, illuminating how this powerful figure helped to expand the definition of African American religion during this time.
Best argues that contrary to popular perception, Hughes was neither an avowed atheist nor unconcerned with religious matters.
Orsi, Professor of Religious Studies and History, Northwestern University Wallace Best: Most people think Harlem Renaissance poet Langston Hughes was an atheist. And while it would be incorrect to suggest that he was a religious believer, it is just as wrong to consider him “anti-religious.” This is an important distinction not only for how we read his poetry, but also for how we view African American religion more broadly.
The history of African American religion has been written primarily from the perspective of religious “believers.” But I have come to understand that the perspective of religious skeptics, the doubtful, and the uncertain have been just as instrumental in its construction.
Indeed, many of the gaps in our understanding of the vast expanse of Black religion can be filled by insights from African American literature and the literature of Langston Hughes in particular.
Hughes wrote a great deal about religion over the course of his long and illustrious career.
While attending a church revival, he comes to the sudden realization that Jesus will not physically come save him.
In the first three sentences of the essay, the speaker adopts a very childlike style.