Scarface Critical Essay

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There were three gangster films of the early 1930s that had a tremendous cultural impact in depicting the underworld and the working-class American experience; however, one film has stood out the most.The image of the gangster is appealing because he challenges the myth of the middle-class work ethic, which demands long hours, sacrifice, and taking orders from superior in order to achieve financial and social success.In gangster films, this work ethic is mocked as foolish, such as when Tony Montana, after rejecting his job as a dishwasher in favor of working for a drug dealer explains, "I didn't come to this country to break my back." The movie and the culture it depicts is the very definition of excess, which is perhaps why it has persisted so long as a cultural emblem.He's snorting coke hysterically and scaring everyone out of his life.Bored and impatient, he doesn't even notice how successful he's become. He's so messed up and complicated that it's hard to see him as just a character in a movie, and Pacino is so convincing that you almost forget that it's fiction.Coppola's Godfather worked on our emotions in unexpected ways discovering the loves and loyalties that operated within one old Mafia don's family.Whereas Palma's Scarface is a relentlessly bitter, satirical tale of greed, in which all supposedly decent emotions are sent up for the possible ways in which they can be perverted.Robert Loggia as Frank Lopez shines well in his role, despite the extreme competition all around him.Loggia etches a funny and, poignant portrait of a man who has outlived his own effectiveness in a violent career.Usually, these men were often portrayed as heartless individuals, who became successful thanks to their willingness to become murderers and thieves.Although these characters were in many ways callous criminals, they were also appealing and relatable because of their experiences in urban America.

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